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No page limit, just reach each word count that is stated at the bottom of each question.

question 1.

  1. Theatre is an occupation for many people. People tend to organize themselves into associations, guilds, unions and clubs that relate to their profession. Using (Links to an external site.)Links to an external site.or some other search engine, find the websites for the following professional and academic theatre organizations: Actor Equity Association (AEA), the International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States (IATSE), The Theatre Communications Group (TCG) and The University Resident Theatre Association (URTA). Then answer the following questions:
    • How can you join each of these organizations? What are the qualifications for membership?
    • What is the cost of membership?
    • What is the mission/purpose of each organization? What are the benefits to members?
    • Are you interested in joining any of these organizations?

(Must be between 400-500 words)

Question 2.

You can find Oedipus Rex and Trifles at like spark notes or in a youtube clip.

List and explain 3 similarities and 3 dissimilarities in the plays Oedipus Rex and Trifles citing specific evidence from both plays. BE SPECIFIC. It can be about the two protagonists or about the plays in general (tone, subject, delivery of information, etc.) You must quote from the plays.

Reviewing your answer to this question, what does that make you think of theatre and playwrighting through the years? What does that make you think of humanity through the years?

Must be 400-500 words.

Question 3.

Explain how you stand on Bertolt Brecht’s interpretation of theatre from the quote below. You must use a SPECIFIC theatrical/television/film experience of yours to support your answer. Be SPECIFIC. USE A SPECIFIC EXAMPLE NOT A GENERAL FEELING. (i.e. Should theatre be an emotional or an intellectual experience?)

“He detested the “Aristotelian” drama and its attempts to lure the spectator into a kind of trance-like state, a total identification with the hero to the point of complete self-oblivion, resulting in feelings of terror and pity and, ultimately, an emotional catharsis. He didn’t want his audience to feel emotions–he wanted them to think–and towards this end, he determined to destroy the theatrical illusion, and, thus, that dull trance-like state he so despised.” (Must be 200-300 words)

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